TY - JOUR AU - Pratiwi, Julita PY - 2021/03/10 Y2 - 2024/03/28 TI - Depth of Field: Sebuah Telaah Historis Ruang Ketajaman JF - IMAJI: Film, Fotografi, Televisi, & Media Baru JA - Jurnal IMAJI: Film, Fotografi, Televisi, & Media Baru VL - 9 IS - 1 SE - DO - UR - https://imaji.ikj.ac.id/index.php/IMAJI/article/view/33 SP - 30-36 AB - <p><em><span style="left: 869.291px; top: 486.247px; font-size: 16px; font-family: serif; transform: scaleX(0.862674);">In cinematography, depth of field is understood as the apparent sharpness in front of and behind the exact </span><span style="left: 869.291px; top: 503.58px; font-size: 16px; font-family: serif; transform: scaleX(0.931499);">point of focus. This paper will not pay much attention in the technical aspect of depth of field, but it aims to </span><span style="left: 869.291px; top: 520.913px; font-size: 16px; font-family: serif; transform: scaleX(0.885856);">focus on the historical aspect that becomes the backdrop of its development. This paper attempts to figure out the </span><span style="left: 869.291px; top: 538.247px; font-size: 16px; font-family: serif; transform: scaleX(0.930906);">basic understanding of depth of field in other visual fields that preceeded cinema, namely the art of painting </span><span style="left: 869.291px; top: 555.58px; font-size: 16px; font-family: serif; transform: scaleX(0.94508);">and photography. How did the concept of depth of field develop in painting and photography? Is there any </span><span style="left: 869.291px; top: 572.913px; font-size: 16px; font-family: serif; transform: scaleX(0.932279);">difference between that understanding with the one we recognize in cinema?</span></em></p> ER -