Mempertanyakan Surprise Film Arrival (2016)

Authors

  • Damas Cendekia Institut Kesenian Jakarta

Keywords:

surprise, audience, convention, flashback, film as form

Abstract

Arrival (2016) offers a different kind of surprise to its audience. The ending of this Dennis Villeneuve-directed film deceives the audience in a breathtaking way. They are impressed by something that is completely out of expectation. The established convention is turned upside down when the scenes prior, which are believed to be flashback scenes, are actually scenes that are just about to happen. Through a number of scenes and their relation with the film as form that constructs the spectator’s reaction, this paper will examine the causes that makes the audience deceived and witness a completely different kind of surprise while watching this film.

References

Aristotle. Poetic, translated by S. H. Butcher. Pennsylvania: Pennsylvania StateUniversity. 2000.

Aronson, Linda. The 21st Century Screenplay.Crows Nest: Allen & Unwin. 2010.

Biran, Misbach Yusa. Teknik Menulis SkenarioFilm Cerita. Jakarta: FFTV-IKJ. 2010.

Bordwell, David & Kristin Thompson. Film Art:An Introduction. Wisconsin: TheUniversity of Wisconsin Press. 2001.

Chatman, Seymour. Story dan Discourse. Ne wYork: Cornell University Press. 1988.

Cowgill, Linda J. The Art of Plotting: AddEmotion, Suspense, and Depth to Your Screenplay. Washington: Back StageBooks. 2008.

Currie, Mark. The Unexpected; NarrativeTemporality and the Philosophy of Surprise.Edinburgh: Edinburgh University Press. 2013.

Hayward, Susan. Cinema Studies: The Key Concepts.London & New York: Routledge. 2000.

Lodge, David. The Art of Fiction. New York:Penguin Books. 1992.

Mayne, Judith. Cinema and Spectatorship. London& New York: Routledge. 1993.

Turim, Maureen. Flashbacks in Film: Memory and History. London & New York: Routledge. 1989.

Downloads

Published

2021-03-10

How to Cite

Cendekia, D. . (2021). Mempertanyakan Surprise Film Arrival (2016). IMAJI: Film, Fotografi, Televisi, &Amp; Media Baru, 10(1), 27–34. Retrieved from https://imaji.ikj.ac.id/index.php/IMAJI/article/view/20