Resistensi Orde Baru: Foto Soeharto Tersenyum dan Teks “Pie Kabare? Enak Jamanku To?”

Authors

  • Satrio Pamungkas Institut Kesenian Jakarta

Keywords:

resistence, power, social construction, text

Abstract

It is not about right and wrong, or about who is the powerful and who is not, but it is about a series of social problems that are stitched together to construnct a culture. Culture has its varieties, and that is exactly the essence of it; it can be broken, but then mended; extinct, but also nurtured; diminished, but also constructed; empty, but also filling; nothing, but also exists. Seeing the social condition of Indonesia, that is having difficulty letting go from stories of the New Order, which is not in subordinate position, there seems to be movements of resistence, as if trying to reconnect the once broken threads in Indonesia’s politics. The smile fo Soeharto and the text “Pie Kabare?” Enak Jamanku To?” exists and fills up the spaces of social anxieties, trying to mingle and greet back, as if what was once thrown away is actually the best condition.

References

Ajidarma, Seno Gumira. Kisah Mata:FotografiAntara Dua Subyek, PerbincanganTentang Ada. Yogyakarta: Galang Press. 2002.

Barker, Chris. Cultural Studies: Theory and Practice.London: SAGE Publication. 2000.

Casey, Bernadette, et al. Television Studies: The Key Concept. London & New York: Routledge. 2008.

Sumayku, Reynold. Pada Suatu Foto: Cerita& Filosofi Dalam Fotografi. BandungKaifa Publishing. 2016.

Downloads

Published

2021-03-10

How to Cite

Pamungkas, S. . (2021). Resistensi Orde Baru: Foto Soeharto Tersenyum dan Teks “Pie Kabare? Enak Jamanku To?”. IMAJI: Film, Fotografi, Televisi, &Amp; Media Baru, 10(1), 41–46. Retrieved from https://imaji.ikj.ac.id/index.php/IMAJI/article/view/22